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2024 _ CONGRESSO INTERNACIONAL EM CAMPINAS, SP

Programação

Programação provisória, sujeita a alterações

17 de julho

18 de julho

19 de julho

20 de julho

21 de julho

Apresentações, por eixo temático

Novas contribuições para o repertório de viola

  • World Premiere of Matthew Heap’s Finding Balance for Viola, Horn and Piano
    • Andrea Houde
  • Ann Odd Couple: Music for Viola and Horn
    • Andrea Houde
  • Toward na International Working Group for Viola Music Catalogues
    • Kristofer Skaug, Daphne Gerling, Myrna Layton
  • A Musical Portrait of the American Southwest – Reflections on a Desert Winter
    • Stephen Nordtstrom
  • Música Brasileira Contemporânea para Viola Solo – A colaboração entre compositor e intérprete
    • Luiz Paulo Dourado Freire, Kino Lopes
  • New Folk Romantic Music from Norway
    • Povilas Syrrist-Gelgota
  • Duo for Viola: New Music of the Americas
    • Timothy Deighton
  • Works for Viola and Taonga Puoro, Maori Musical Instrument
    • Sophia Acheson, Ariana Tikao
  • Niccolò Paganini – Composizioni per Viola e Chitarra (New additions to the viola repertoire)
    • Rossana Cauti
  • The Devil with the three golden hairs
    • Karin Dolman, Emlyn Stam
  • Puss in Boots
    • Karin Dolman
  • Polish Landscape
    • Lech Balaban, Krzysztof Sowinski
  • Concertino para Viola e Piano nº 2 – José Ursicino da Silva (Duda)
    • Camila Meirelles
  • Violatina: new works from the South American diaspora
    • Emlyn Stam, Sherry Grant
  • Trio in b minor
    • Alicia Valoti
  • “Solo, duo, quattro”
    • Wojciech Kolaczyk et al
  • TAIORO KI TE WHENUA
    • Donald Maurice
  • Marcin Murawski & Alina Kubik: “Emotions: 24 reflections”
    • Marcin Murawski
  • Nueva música de compositoras y compositores chilenos para viola sola y dúo viola-piano
    • Carola Fredes
  • European musical Voyage for two violas
    • Françoise Gneri + Karine Lethiec
  • Quatro peças em suíte de Fernando Lopes Graça
    • Jorge Alves
  • The viola french contemporary new repertoire
    • Karine Lethiec
  • Emoting through the landscape: a lecture recital of 5 Chinese Viola compositions
    • Yue Qi
  • China meets Europe
    • Ye Zi

Música do Brasil e da América Latina

  • New Works for Solo Viola from Brazil and a tribute to Mr. Ricardo Kubala
    • Jessé Máximo Pereira
  • Obras de Compositores/as Mineiros/as para viola e piano
    • Carlos Aleixo
  • Trio Echinata – Música de Câmara do Brasil e AL para viola, clarinete e piano
    • Luiz Paulo D. Freire
  • Música Latino e norte-americana para viola e piano
    • Daphne Gerling
  • Música Brasileira para viola e piano
    • Luciano Pontes
  • “Two Cantilenas for viola and piano by M. Camargo
    Guarnieri: A transcription project”
    • Diane Phoenix-Neal
  • A Collection of Mexican Duos for Violin and Viola
    • Kevin & Stephen Nordstrom
  • Quarteto Ensaio de Naipe
    • Eric Licciardi
  • Sonata T22 – Brenno Blauth
    • Daniel Marques Rolim
  • Music for Viola by Ernst Mahle
    • Hella Frank, Marco Catto, Pedro Visockas, Eric Licciardi, Sônia Feres e Fabio Saggin
  • Two Brazilian Duos for Violin and Viola
    • Kevin & Stephen Nordstrom
  • Edino Krieger’s Brasiliana: Background, Analysis, and Interpretational Possibilities
    • Leonardo Piermartiri
  • Bachiana Brasileira 2.0 for Viola Solo and Jazz Trio – Bringing Harmony Into to the Mix
    • Flavio Chamis

Novas estratégias do ensino de viola

  • Panel discussion: Viola Pedagogy in the 21st Century – What we can learn from research in Educational Psychology, Self-regulated Learning, Neuroscience and Somatics
    • Hella Frank & Daphne G.
  • Aprenda mais rápido! Torne seu estudo mais eficiente!
    • Hella Frank
  • Métodos escritos originalmente para viola publicados entre 1773 e 1894
    • Karyni Danielly da Silva Vila
  • Finding Smooth Pathways Through Viola Literature
    • Andrea Houde
  • Viola Family Trees: Complexities of Heritage and Lineage and their Effects on Viola Teaching
    • Dorotea Vismara & Andrew Filmer
  • Going Outside the Etude Canon: Jorge Variego’s 18+3 Etudes for Solo Viola
    • Kevin Nordstrom
  • Challenges and Creative Solutions in Performing Béla Bartók´s Concerto for  Viola and Orchestra, Sz. 120, BB 128
    • Rossana Cauti
  • Six Effective Strategies for Enhancing Confidence & Achieving Performance Goals
    • Kevin & Stephen Nordstrom
  • Teaching music with visualization – presenting the Amazing Violin Comics
    • Lauri Hamalainen
  • Jogo musical Dados Mágicos! Uma ferramenta didática que fornece suporte lúdico para o ensino do instrumento
    • Maria Fernanda Canabarro
  • Freedom in mouvement, and freedom in rythmiquement and ease in performing
    • Françoise Gneri
  • Student – centered teaching and the development of sefl-regulated learning
    • Hella Johanna Frank

Uso da viola em música popular e improvisação

  • A Linguagem do Choro na Viola – Rítmo, articulação e improvisação
    • Luiz Paulo D. Freire
  • Improviola jazz
    • Nehir Akansu
  • Sound as protest- The political influence of music
    • Lynn Rudolph
  • Sing Viola
    • Nehir Ankansu

Performance Histórica

  • Bowing Practices in the Baroque Era
    • Christine Rutledge
  • How to Bow Baroque Music: A Hands-On Approach
    • Christine Rutledge
  • Aproximações históricas entre a viola e a viola d’amore
    • Felipe Galhardi
  • Abordagens tratadísticas para viola nos séculos XVII e XVIII
    • Marcus Held

Compositores esquecidos ou de grupos pouco representados

  • Purple Fantasies for Solo Viola
    • Kevin Nordstrom
  • Hidden Gems: 20th AND 21st Century Works for Viola
    • Juliet White & Ryan Behan
  • Uncharted Horizons: A Voyage of Exploration and Growth
    • Hsiaopei Lee & Borislava Iltcheva
  • Unconventional Cadential Conventions: Exploring the World of Ogu Music on the Voila and through African Pianism
    • Joseph Kunnuji & Jeanne-Louise Moolman
  • Charlotte Hampe – Sieben Kleine Barock-Tänze für viola allein
    • Ames Asbell
  • Contrasts and Connections
    • Ayn Balija
  • Shared Recital: Multicultural Mosaic from the United States
    • Diane Phoenix-Neal
  • 4 Sinfonia Concertante for violin, viola, and orchestra (all in D major), and the Viola Concertos No. 2 & 3 by Karl Stamitz (1745-1801)
    • Keneth Martinson

Saúde do violista

  • Exploring Movement: An Introduction to Body Mapping for Musicians
    • Juliet White-Smith
  • Some Ideas About Viola Making
    • Luis Claudio Manfio
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